Monsters Of Techno, Spin Magazine (March 1994)

ALT. RAVING across the U.S.A, the See the Light tour – Moby, Aphex Twin, Orbital, VapourSpace – set its sights on the future of techno. Erik Davis gets blinded by science. DENVER, COLORADO Tuesday is a lousy night for a rave. But when you’re touring the country, you can’t just play weekends, and so the

30 Years of Digeridoo

Many thanks to Ben Kelp for providing me with the 1991 recording of Digeridoo from Kiss FM, thanks to Dame Deee and others with help compiling this article Genesis The early 90’s were a time of ever increasing tempos within dance music, a musical weapons race to utterly obliterate the techno dancefloor. Given this context,

Aphex Twin, NME (6th October 2001)

Thanks again to my brother for the scans, cheers Paul! IF THE WIND CHANGES, YOUR FACE WILL STAY LIKE THAT! …. SO LET’S BE THANKFUL THAT, ON THE EVEN OF HIS HUGELY ANTICIPATED LP, ‘DRUKQS’ NME MEETS APHEX TWIN IN AN AIR-LESS SEALED CHAMBER. NOW WE CAN HEAR WHAT’S REALLY GOING ON INSIDE HIS HEAD

Interview with Manuel Sepulveda (30th Anniversary of Analogue Bubblebath)

This interview was posted on the 1st of September 2021, it being the month of the 30th Anniversary of Analogue Bubblebath’s release (September 1991) Preface Manuel Sepulveda is a graphic artist based out of London, who has worked for noted record labels such as ‘Rephlex’, ‘Warp’, ‘Planet Mu’ and ‘Hyperdub’. His work includes design &

Aphex Twin & Mixmaster Morris, Mixmag (December 1992)

This early interview sheds some interesting light on the origins of ‘Digeridoo’ and ‘On The Romance Tip. Many thanks to my brother Paul for scanning this for me! Deeply Dippy You couldn’t find a neat little music box to fit in the Aphex Twin and Mixmaster Morris. Not unless they’d wired it all up themselves.

Aphex Twin – Lodown Magazine (issue 29, 2001)

Many thanks to knallfurz for scanning and sending me this interview, cheers! A warm summer’s day in London and the Aphex Twin is relaxing in the city’s most famous open space, Hyde Park. He lies down on the grass, slips on the big silver headphones he takes everywhere and points his parabolic microphones, a device